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Chinazaekpere Chukwu’s ‘Her Daughters’ Mother’ Heads to London Festival

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‘Her Daughters’ Mother’
Her Daughters’ Mother, Chinazaekpere Chukwu’s feature directorial debut, has been selected for Film Africa 2026 in London

Nollywood drama Her Daughters’ Mother, written and directed by Chinazaekpere Chukwu, has been selected for Film Africa 2026, an African and diaspora cinema festival scheduled to hold in London from October 23 to November 1.

Also read: Nigerian Film ‘Anu (Mercy)’ Wins Best Nollywood Award in Toronto

The selection was announced by Women in the Arts in an Instagram post celebrating Chukwu’s feature directorial debut and its international recognition.

The 109-minute film is scheduled to screen on October 28 at EbonyLife Place London as part of the festival programme.

Set in Benin City, Edo State, Her Daughters’ Mother explores motherhood, marriage and societal expectations surrounding the preference for male children.

The story follows Ejiro, a woman who was married off at the age of 16 and returns to her family home in her thirties as a widow raising two daughters.

Hoping to secure a more stable future for her children, Ejiro enters a second marriage. However, her husband’s insistence on having a male heir creates challenges for the family.

The drama also follows Ejiro’s eldest daughter, Ejaita, a teenager who dreams of becoming a doctor but struggles with her mother’s overprotectiveness.

Ejovwoke Olikuntuyi plays Ejiro, with Osas Okonyon, Philip Asaya, Najite Dede and Adeoluwa Akintoba among the cast.

The film was produced by One Child Grace Studio in association with C.A.N.O Productions, Uncut Gem Productions and Nka Pictures.

Chukwu has previously received the Best Director award at the EbonyLife Creative Academy for A Psalm for Abigail.

She also directed the 18-episode television series The Yard in 2025 and the short film Ti e Nbo, which premiered at the Africa International Film Festival in 2023.

Film Africa, presented by the Royal African Society, showcases films from Africa and its diaspora through screenings and related industry activities.

The festival provides a platform for African filmmakers to present their work to international audiences and engage with wider conversations about African stories and cinema.

The film’s London screening will take place at EbonyLife Place London, a cultural, entertainment and cinema destination established by Nigerian media entrepreneur Mo Abudu and the EbonyLife Group to promote African and Black storytelling.

Also read: Nigerian Film ‘Anu (Mercy)’ Wins Best Nollywood Award in Toronto

The venue features the 160-seat Amani Auditorium, which is dedicated to African and Black cinema and hosts film screenings, industry discussions and cultural programmes.

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Entertainment

The Headies Announces New Date for 18th Awards Edition

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Headies

The Headies has rescheduled its 18th awards edition to April 10 and 11, 2027, in Toronto, Canada, with industry events continuing

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Events

Nigerian Film ‘Anu (Mercy)’ Wins Best Nollywood Award in Toronto

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Anu (Mercy)

Anu (Mercy) film award recognition sees Temitope Jude Egwu’s debut feature win Best Nollywood Film at the 2026 Toronto International Nollywood Film Festival (more…)

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Culture

OLOJO….Ile Ife’s September Gift To Culture

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OLOJO

By Halima Adaba,

 

It was a featubal if the people. It was for the anciebt town of Ile Ife, which the Yoruba race refards as the Source.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

And ut was a festivsl for the King, Arole Oduduwa, Oonirisa, Adeyeye Enitan Ogunwusi, Ojaja II.

And so between September 24 and 28th 2026, the annual featuval dazzjed in all its white glory.

Tge Monarch paid the traditional ancestral homage and offered propitiation as part of the sacred rites of the Olojo Festival.
It was a powerful expression of Yoruba heritage, spirituality, and enduring tradition.

Call it a collection of beautiful moments, faces, colours and cultural expressions.

Every frame tells a story.

Every face carries the energy.

Every moment keeps the heritage alive.

Undoubtedly one of the most sacred cultural celebrations in Ilé-Ifẹ̀. It marked a day associated with creation, thanksgiving, ancestral heritage, and the sacred appearance of the Ooni of Ife wearing the revered Aàrẹ crown.

There were also the devotees of the famed god of thunder – Sàngó who were hardly conspicuous at the festival.

Many other traditional groups came out with candor, showing a powerful expression of Yoruba cultural identity, spiritual devotion, and respect for the ancient traditions of Ilé-Ifẹ̀.

Devotees of Sàngó bekieved the ‘appearance’ of the god of thunder on Seotember 26th could be understood as a symbolic meeting of ancestral heritage, spiritual devotion, and the celebration of creation.

It was a moment when the sounds of drums, chants, and traditional praise poetry brought the history of the Yoruba people to life.

Although Olojo is closely associated with Ogun, the god of iron, and the sacred traditions of Ile-Ife, the presence of Sàngó devotees reflected the rich diversity of Yoruba spiritual heritage.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

As a participant enthused at the festival, “To witness Sàngó Olúkòso emerge on Olojo Festival day is to witness a living expression of history, identity, and ancestral pride.”

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